THE DUEL (1971) #64

THE DUEL (1971)

Released on April 21^st, THE DUEL (1971) is yet another well-loved movie produced by the elder brother Shaw: Runme Shaw. It is written by, surprise, surprise Chiu Kang-Chien, the writer of THE SINGING KILLER (1970) but not so surprisingly, also the writer of THE BELLS OF DEATH (1968). THE DUEL (1971) is a tale of intrigue set on the backdrop of the birth of The Republic of China. The great Chang Cheh is the director working once again with the action direction team of Yuen Cheung-Yan and Tang Chia putting in their most exciting work to date! Let’s get busy!

Ti Lung as Tang Ren Jia

David Chiang as Jian Nan, the Rambler  and  Cheng Kang-Yeh as Xiao Mao

On the surface of it THE DUEL (1971) is a tale of a fateful duel between two fighters. Tang Ren Jie is fighting to avenge his godfather’s death at the hands of a journeyman in the underworld (the Rambler), Jian Nan, a highly skilled fight with no ties to any one gang and as such can be persuaded to help one gang or another. In this case however, Jian Nan is deceived in killing Tang Ren Jie’s godfather, Shen Tian Hung, an elder gang boss who is actually retiring from the criminal life after taking revenge for a friend of his who was also killed recently. Jian Nan must fight Tang Ren Jie but he is sorrowful for what he feels is an unworthy kill for him since his victim was going to retire from the gang life and become a civilian. 

Tang Ren Jie saves Jian Nan's life during a battle

THE DUEL (1971) takes place during “The Warlord Era” or the period after the Qing Dynasty from 1916 to 1927. Whether they were called warlords or bandits or gangsters, these people wrecked havoc on life in Mainland China where it was a “man’s world” and if you were weak or a woman you could be forced to do whatever you were told and corruption was everywhere and justice was whatever the powerful said it was. I mention this because the more you know of China and this era the more there is for you to experience in THE DUEL (1971), it is that deep.  There are double crosses galore and everybody has deep characterization if you care to look for it. A look at life in China after the Qing Imperial government and before Communist Party rule, THE DUEL (1971) is a must have for everyone's library of Asian films.   

Chuen Yuen steals this scene but ONLY if you are paying attention to details

CAST REPORT

the “good”:  Ti Lung as Tang Ren Jie. David Chiang as Jian Nan, the Rambler. Chang Kang-Yeh as Xiao Mao. Ku Feng as Tang Jen Lin. Wang Ping as Hu Die.

the bad: Chuen Yuen as Gan Wei Bin. Hung Lau as Shiu Li. Wang Ching Ho as Jau Hai Shan. Lee Wan-Chung as Senator Fung.

HONORABLE MENTION: Chuen Yuen is absolutely repulsive as the big bad, excellent acting especially when you are not suppose to focused on him. 

FIGHT TIME: THE DUEL (1971) was choreographed by the fight team of Tang Chia and Yuen Cheung-Yan. Their design style could certainly be called “fast and furious” and it was again difficult for me to grab screen shots of action without any blur. They also like to keep multiple fights working simultaneously making for some very exciting scenes where you could get caught up in just trying to follow everything. I counted twelve (12) fight scenes making this one of the most fight filled movies to date. No wonder this one is a fan favorite!
HONORABLE MENTION: The all-star cast of henchmen used throughout the film. Including: Liu Chia-Yung, Yuen Woo Ping, Fung Hak-On, Cliff Lok, Wang Chung, Yuen Shun-Yi, Chen Kuan-Tai, Bruce Tong Yim-Chaan, and more!

RECOMMENDATION: Any Shaw Brothers, David Chiang and Ti Lung co-starring project needs no one's recommendation, especially mine. It is entertaining and collectible. It is automatically a must-see and a must-have. See you next time!

If you liked this review please comment on the blog, become a follower of the blog, join me on my Facebook account by sending me a message first and then a friend request so I know who I am friending (  https://www.facebook.com/Michael529P   ) and like my Facebook page: SHAW Brothers Kung Fu Movies 1965-1986. I thank you and would appreciate it very much!

NEXT UP: THE EUNUCH (1971)

THE NEW ONE-ARMED SWORDSMAN (1971) #60

THE NEW ONE-ARMED SWORDSMAN (1971)

Shaw Brothers Studios' history speaks for itself. It successes in the film industry are legend and it's one of the few movie companies that can get you sick and tired of hearing someone say the word "classic" after hearing the title of a movie produced by that very studio. But still (I always wanted to say that!) they were not perfect in every decision and, so --a lack of belief and insufficient monetary reward caused them to lose one of their biggest stars after 1970. In 1971 Shaw Brothers decided to re-launch one of their biggest hits without its original star. 

"The king is dead, all hail the king!" Jimmy Wang Yu is gone and producer Runme Shaw has a new sheriff in town and his name is David Chiang in the form of THE NEW ONE-ARMED SWORDSMAN (1971) released February 7th. The brand new script is written by wuxia specialist I Kuang and directed by frequent collaborator Chang Cheh. The action direction is by the team of Liu Chia-Liang and Tang Chia and as in the original also features a brand new weapon. Let's get busy!

Lung Yi  Zhi had long been a hero of the Jiang Hu and a defender of the underdog at least in the public eye. But "Big Hero Lung" as he was known had a dirty little secret (or two or three). Once Lung Yi Zhi had come up a bit in age he became insecure about his reputation as top fighter in the Jiang Hu. Among the young and up-coming fighters were the users of the two-sword fighting technique that seemed quite popular among the other young fighters. Lung Yi Zhi carefully constructed a weapon (a three-sectioned staff) and counter techniques to defeat this new style of swordplay but the problem still remained how to keep his name as top fighter valid and his reputation as defender intact all at the same time. He could hardly start challenging the younger swordsmen without being considered a bully. 

Sadly, he began to fabricate situations  revolving around these young fighters, and then swoop in "to the rescue" and defeat them. Rather than kill his young opponents he would "punish" them by having them chop off their own right arms and swear to retire from the Jiang Hu forever. He would often rob a security escort's cargo and use his men to blame the targeted swordsman. He would then return the cargo after "punishing" the young swordsman even further raising his status as a hero. The punished swordsmen would never speak of the incident to anyone out of their very own shame. Over the years it has added up to quite a number of young swordsmen. Soon it would be the young hero Lei Li's turn. Lei Li used a long saber and a shorter companion knife. However his reputation for his arrogance almost outmatched his reputation for his swords skills. Our story begins as the hero Lei Li falls into Lung Yi Zhi's web of deceit.

CAST REPORT

the good: David Chiang as Lei Li. Ti Lung as Hero Fung. Li Ching as Ba Jiao.

the bad: Ku Feng as Lung Yi Zhi. Chen Sing as Chief Chan Chun Nam.

 HONORABLE MENTION: Wang Chung, Lau Gong, Huang Pei-Chih, Wang Kuang-Yu, Cheng Lui, Bruce Tong Yim-Chaan, Yau Ming, Liu Chia Yung and Cheng Kang-Yeh.

Replacing Jimmy Wang Yu as the new one-armed swordsman is David Chang as Lei Li going with a different type of character for the lead this time. Ti Lung is very much a co-star replacing Lisa Chiao Chiao's character as the influential person in the one-armed swordsman's life. Ti Lung's character is named Fung Jun Jie and is a rash young swordsman also inexperienced as was Lei Li. The two characters immediately relate to one another and the strong chemistry between the two actors makes this an old school bro-mance and communicates the necessary emotions as we move along in the story. Li Ching is Ba Jiao: the love interest and is the only woman in the movie so I guess she serves so we "don't get the wrong idea --not that there's anything wrong with that" as to the hero's preference.  She is also, along with the eatery keeper, responsible for an unintentional laugh when he suggests the ruffians only wanted "to have some harmless fun" with her. Yeah right! 

For the "bad guys" Ku Feng is fantastic as the very complex Lung Yi Zhi the aging hero swordsman who keeps crossing the line to keep his status in the Jiang Hu but always wanting to jump back over to the side of righteous. A slippery slope indeed. Roles such as this usually go to Tien Feng or more veteran actors but Ku Feng was excellent casting as history has shown us. Chen Sing is also a villain of note being the Chief of Tiger Mansion where a lot of the action takes place. 

FIGHT TIME!: Liu Chia Liang and Tang Chia (Tong Gaai) are back as the action choreographers. I counted six (6) full fight scenes not including little short scrimmages, so there is plenty of action but is it me or was there an attempt to tone down the carnage compared to the last version? but having just seen RETURN OF THE ONE-ARMED SWORDSMAN (1969) last week as opposed to seeing them two years apart, the carnage was a bit more vicious and varied in Return Of Then One-Armed Swordsman than in THE NEW ONE-ARMED SWORDSMAN (1971). Well as least to me. However the techniques were a bit more sophisticated in The New One-armed Swordsman, but then, all of the players this time around were much more martially inclined than Mr. Wang Yu, no offence of course. Over all, the techniques and combinations were now much more difficult in their execution and so the action is starting to favor a more knowledgeable fan base as it pertains to martial arts and as history shows, the trend continued. Also of note neither Liu Chia Liang nor Tang Chia made an on-screen appearance. They both usually do at least an cameo in a martial capacity of some sort. I don't know if this means anything, though. 

RECOMMENDATION

Chang Cheh directed and I Kuang (Ni Kuang) was the lone script writer this time around. Over-all after the much much more of "The Return",  "The New" just seems like much much less. But by no means does "much much less " mean bad. By no stretch of the imagination is this a bad movie. Nor have I read any review or heard any fan say anything of the sort. So, what happened? Why no sequel? Why no continuation of the franchise with the new stars?

For my money they should have at least done one more sequel with everything amped up. Alas they did not. Does anybody know why? What ever the reception was of THE NEW ONE-ARMED SWORDSMAN (1971), TRIPLE IRONS (1973) clearly cemented the kung fu craze of the seventies in the United States.Movies theaters started specializing in kung fu double and triple features. We demanded more and we got it. I recommend THE NEW ONE-ARMED SWORDSMAN (1971) without hesitation or reservation. See you next time!

If you liked this review please comment on the blog, become a follower of the blog, join me on my Facebook account by sending me a message first and then a friend request so I know who I am friending (  https://www.facebook.com/Michael529P   ) and like my Facebook page: SHAW Brothers Kung Fu Movies 1965-1986. I thank you and would appreciate it very much!

NEXT UP: MISSION IMPOSSIBLE (1971) 

KING EAGLE (1971) #058

KING EAGLE (1971)

Our first movie of 1971 is KING EAGLE (1971) released on January first it is an all-out fight fest featuring Ti Lung for what (I am guessing) is the hunt for Wang Yu's successor based on the one-note characterization of the protagonist. Sir Run Run Shaw is the producer, Chang Cheh is the director, I Kuang is the script writer, and action directors are Tang Chia teaming up yet again with Yuen Cheung-Yan   (VENGEANCE 1970). King Eagle is basically a murder mystery without the mystery!  Let's get busy!

TIEN YI TONG

TIEN YI TONG HEADQUARTERS

Tien Yi Tung is a orthodox clan that has done many good deeds for the common people. It is a clan with a headmaster and 8 chiefs. But one of the chiefs, First Chief Hung Sing Tien, wants to be the headmaster himself. He wants to be the headmaster for his own personal gain and not to continue the good work of the Tien Yi Tung. To that end he has assassinated the current headmaster and has arranged partnerships with heretic clans to support his take-over by murdering his own clan brothers. Unfortunately Jin Fei, known as King Eagle witnessed the death of the Sixth Chief, Chu Hung. Jin Fei is not a member of any clan and wants nothing to do with the politics of the Jiang Hu and he makes this quite clear. However, First Chief Hung Sing Tien, has decided that Jin Fei might get in the way in the future and decides to kill Jin Fei anyway. Dude, bad idea! 

CAST REPORT

the good: Ti Lung as King Eagle Jin Fei. Li Ching as Seventh Chief An Yuk Lin. Lee Sau-Kei as Headmaster of Tien Yi Tong. Wang Kuang-Yu as Fang Shing. Wang Chung as Second Chief Fan. Yau Lung as Sixth Chief Chu Hung. Cheng Lui as Chief Koon.

the bad: Chang Pei-Shan as First Chief Hung Sing Tien. Li Ching as Eighth Chief An Bing Er. Cheng Miu as Deadly Fingers Wan Hau Ba. Chen Sing as Fifth Chief Chen Tang.

HONORABLE MENTION:  Bruce Tong Yim-Chaan, Tang Chia, Tung Li, David Chiang and Yuen Shun Yi have minor roles and Li Ching plays two roles as younger and older sisters. 

FIGHT TIME: KING EAGLE (1971) is action-packed! I counted nine (9) fight scenes including the finale. Tang Chia and Yuen Cheung-Yan are the action directors. They have worked together before [VENGEANCE (1970) and HAVE SWORD WILL TRAVEL (1969)] and once again do an excellent job here with mostly sabre (dao) fights that are really fast paced and not just under-cranked. I was thrilled to watch this movie and it was very hard to capture a fight still without any blurr. Kudos!

RECOMMENDATION:

KING EAGLE (1971) is Ti Lung's first movie where he is dominate for the entire movie and is not sharing the lead role with Wang Yu nor David Chiang. In fact HKMD credits David Chiang with a very small role as an extra or stuntman but I could not spot him. It also introduces Bruce Tong Yim-Chaan in a featured role above extra or stuntman. As I have stated earlier the action is spot on and the only flaw in this movie is with its story. I called it "a murder mystery without the mystery" which you will understand in the first five minutes of the film but there is another point not made clear. Why don't they just leave him alone? Why murder the people in the restaurant? Who were they waiting for in the restaurant if not him? Anyway these questions are forgivable if you are just looking for a good time and I certainly recommend KING EAGLE (1971) for a good time and, any film with Ti Lung in it from Shaw Brothers Studios is an automatic collector's item. That's all for now, see you next time! 

If you liked this review please comment on the blog, become a follower of the blog, join me on my Facebook account by sending me a message first and then a friend request so I know who I am friending (  https://www.facebook.com/Michael529P   ) and like my Facebook page: SHAW Brothers Kung Fu Movies 1965-1986. I thank you and would appreciate it very much!

NEXT UP: THE LADY HERMIT (1971)

THE HEROIC ONES (1970) #051

THE HEROIC ONES (1970)

Sir Run Run Shaw produces a historical drama entitled THE HEROIC ONES (THIRTEEN HIGH OFFICIALS) written by Chang Cheh and I Kuang and directed by Chang Cheh. This story is based on an historical event that took place in China during the Tang dynasty where a tribal chieftain came to the aid of the emperor to recapture the capital city with the help of his thirteen adopted sons and the tragedy of the aftermath. The action choreography is done by the awesome team of Tang Chia and Liu Chia-Liang with Liu Chia-Liang's younger brother Liu Chia-Yung also getting action director's credit. Let's get busy!   

WARLORD BANDIT WANG CHAO

In 883 during the Tang Dynasty, the Warlord Bandit, Wang Chao rebelled against the Tang Emperor and attacked and captured the nation's capitol of Chang'an. The Emperor, by imperial decree summoned Chieftain of Shatuo, Li Ke Yong to liberate Chang'an and promised to make him King of Jin. Chieftain Li and his thirteen adopted sons, known as the Thirteen Generals, along with 100,000 of his own soldiers and 500 of his personal guards went to a neighboring province to plan the attack. As guest of Warlord and Governor of Bianlian, Zhu Wen, Chieftain Li and his Thirteen Generals entered hostile territory and had to deal with not only the Warlord Bandit, Wang Chao but with the jealous Warlord, Governor Zhu Wen. This is their story.

CHIEFTAN LI KE YONG OF SHATUO

WARLORD GOVERNOR ZHU WEN

CAST REPORT

the good: Ku Feng as Chieftain Li Ke Yung. David Chiang as 13th General Li Chun Xiao. Ti Lung as 11th General Li Jing Si. Chin Han as 1st General Li Sxu Yuan. James Nam as 4th General Li Tsun Hsin and Wang Chung as 12th General Kang Chun Zi. 

the bad: Lee Hae-Ryong as Bandit Warlord "King" Wang Chao. Chen Sing as Warlord Govenor Zhu Wen.

HONORABLE MENTION: Liu Chia-Yung as 10th General Li Chun Shou and Lily Li as Tsui Yen. Bolo Yeung as General Meng Jue Hai. 

FIGHT TIME: THE HEROIC ONES (1970) boasts three (count 'em 3) action choreographers and these three are no run of the mill action directors. Tang Chia, Liu Chia-Liang and his younger brother Liu Chia-Yung have a resume that can not be equaled but the action looks like it is a little bit crowded. There is so much going on in the scenes that there is hardly anyway to keep track of it all. However, I can buy that, 1)for the time period it is set in, and 2) the sheer number of combat participants, that this is actually a realistic depiction of army combat. It is just a little rough on the eyes but careful observation reveals quality techniques going on so I am just going to eat the results. I counted seven (7) fight scenes including one nearly 20 minute long but the action builds and supports the story line so it is an absolute win.

HONORABLE MENTION: an exquisite display of spear-play by Ti Lung starting 1 hour and 19 minutes into the film. 

The challenge when presenting an historical drama is how to honor the history but still present enough drama to hold the audience. Chang Cheh and I Kuang do just that with their work in THE HEROIC ONES (1970). But still, I would love to see a modern production of this drama in an 40 or 50 episode television show. There are plenty of characters and subplots to merit such a work. I unreservedly recommend this movie for collectors and casual viewers alike and in fact thist is one of the most challenging reviews where I am tempted to reveal spoilers of the plots but please, since I did not spoil the movie please, please, please go and see this movie by any means necessary. See you next time!

If you liked this review please comment on the blog, become a follower of the blog, join me on my Facebook account by sending me a message first and then a friend request so I know who I am friending (  https://www.facebook.com/Michael529P   ) and like my Facebook page: SHAW Brothers Kung Fu Movies 1965-1986. I thank you and would appreciate it very much!

NEXT UP: A TASTE OF COLD STEEL (1970)

VENGEANCE! (1970) #049

VENGEANCE! (1970)

Chang Cheh is back and he is once again turning the new wuxia genre on its head with his creativity. Producer Runme Shaw presents VENGEANCE! (1970), released on May 14th it was directed by Chang Cheh, written by Chang Cheh and frequent co-writer I Kuang. The action is directed by Tang Chia and Yuen Cheung-Yan, two of the best in the business working together once again. Let's get busy!

Guan Xiao Lou is a man on fire as he sets out to kill everyone involved with the murder of his older brother over their desire for his older brother's unfaithful wife. 

CAST REPORT

the good: Ti Lung as Guan Yu Lou. David Chiang as Guan Xiao Lou. Wang Ping as Hua Zheng Fang. 

the bad: Alice Au Yin-Ching as Hua Zheng Fen. Ku Feng as Feng Kai Shan. Yeung Chi-Hing as Jin Zhi Quan. Chuen Yuen as Adjutant Gao Hong Tu. Hoh Ban as Generalissimo Hu Hu Cheng. Wong Ching-Ho as Yin Nan Ting. Chen Sing as Li Qi.

HONORABLE MENTION: This is Chen Kuan-Tai first appearance in a Shaw Brothers movie. Wang Kuang-Yu, Cheng Lui, Wang Chung, Cliff Lok, Yuen Woo-Ping, and Jason Pai Piao also have small roles as henchmen.

CHEN KUAN-TAI

WANG KUANG-YU

CHENG LUI

WANG CHUNG

CHEN SING

FIGHT TIME: VENGEANCE (1970) starts a new sub-genre in the category of wuxia films: namely modern kung fu. The movie takes place in the twentieth century, so the weapons and techniques used are more up to date than those wuxia tales of the dynasties of ancient China. Tang Chia and Yuen Cheung-Yan do the action direction that mostly involve hatchets, small throwing knives and huge bowie like knives. I counted four (4) fight scenes but there is still plenty of action throughout the movie. Excellent work!

HONORABLE MENTION: Ti Lung's athleticism in his youth is showcased in his opera performance, don't miss this! 

Chang Cheh has done it again! VENGEANCE (1970) is another Shaw Brothers classic movie that is truly deserving of the designation "classic". There are so many firsts and guest stars and cameos of future stars in this movie it is an instant collectors item. As far as the movie watching experience, it is a rather grim but entertaining and thought provoking showcase that no one should miss! See you next time!

If you liked this review please comment on the blog, become a follower of the blog, join me on my Facebook account by sending me a message first and then a friend request so I know who I am friending (  https://www.facebook.com/Michael529P   ) and like my Facebook page: SHAW Brothers Kung Fu Movies 1965-1986. I thank you and would appreciate it very much!