Saturday, March 11, 2017

REVIEW #5: THE MAGNIFICENT TRIO (1966)

REVIEW #5:
 THE MAGNIFICENT TRIO (1966)










Released October 08th, 1966, THE MAGNIFICENT TRIO (1966) reunites the cast and crew of TIGER BOY (1964). TIGER BOY was “an experiment” Sir Run Run Shaw permitted Chang Cheh to engage in to produce a new genre in films provided Mr. Cheh kept expenses low. To that end Mr. Cheh used all new actors in the starring roles, used no martial arts action directors and filmed the movie in black and white. Chang Cheh also wrote and directed the film that was not released until Sir Run Run Shaw was convinced that the new genre was indeed a success. TIGER BOY was given a limited release February 16th, 1966 according to HKMDB (Hong Kong Movie Database).  Elder brother, Runme Shaw produced THE MAGNIFICENT TRIO with the script written once again by the director, Chang Cheh adapted from the Japanese movie: THREE OUTLAW SAMURAI (1964). Tang Chia and Liu Chia Liang were the action directors. Let’s get busy!





"CLICK" to enlarge and read more about TIGER BOY (1964)


THE MAGNIFICENT TRIO (1966) takes place during the twilight of the Ming Dynasty in China as the Han people fight off the Manchu invaders of the north. After a fierce battle the Manchu forces have some Han forces surrounded. Commander Lu Fang, the grandson of the Ming General has escaped the Han troop's encirclement and is on his way to see the Imperial Minister Yuan to request reinforcements when he comes across three villagers kidnapping a young noble woman. 

scene from THE MAGNIFICENT TRIO (1966)

same scene from THREE OUTLAW SAMURAI (1964)
The young noble woman is Wei Wen Zhen, the daughter of the County Magistrate Wei Huaire. The three kidnappers are the Head of Mati Village: Gao Bao-Shi, his son: Gao Ji-Xian and another village dweller: Li Chu-Yen. Commander Lu Fang learns that Mati Village has suffered from several years of drought and the Imperial Court has exempt the village’s provisions from taxation. However, County Magistrate Wei Huaire has continue to tax the village of Mati and otherwise oppress the villagers until, in desperation, they came up with this plan to kidnap his daughter which is to essentially sacrifice their own lives to save their village. 





Back at the Magistrate’s residence, the enraged Magistrate Wei Huaire has become desperate to resolve his daughter’s kidnapping before The Imperial Minister comes for his periodic inspection and reports any irregularities to the Emperor. Prisoners and thugs of all sorts are promised rewards in return for his daughter’s safety but is there ever any honor among thieves?


The star, Jimmy Wang Yu  (right)

CAST REPORT
the good: Jimmy Wang Yu as Commander Lu Fang. Lo Lieh as Yan Ziqing. Cheng Lui as Huang Liang. Margaret Tu Chuan as Li Ju Shan’s wife. Chin Ping as Wei Wen Zhen. Fanny Fan Lai as Xiao Qing. 
the bad: Lui Ming as Magistrate Wei Huaire. Lee Wan-Chung as the Magistrate’s advisor. Tang Ti as Master Xin / Qian. Fung Ngai as Master Han Rui. Ng Ho as Constable Liang Tong.

HONORABLE MENTION: Tien Feng, Ku Feng, Cliff Lok, Chen Hung-Lieh, Chang Pei-Shan, Wu Ma, and Violet Pan Ying-Zi.

SPOTTED: Little Unicorn Chan, Tang Chia and Liu Chia-Liang.

Bruce Lee's childhood friend Little Unicorn, center left.

Liu Chia-Yung (right) as a stuntman

extreme left: Tang Chia, extreme right: Liu Chia-Liang
FIGHT TIME: This is the first credited team-up of what is to become the legendary choreography team of Liu Chia-Liang and Tang Chia.  That fact makes this a collector's item! I counted eight (8) fight scenes and some minor skirmishes for an action-packed one hundred and three minutes. The most common mistake made when watching old movies is to judge them using the current standards instead of the standards of the time in which they were made. That said, everybody’s techniques including the killing techniques were clean, functional and precise for the most part. The exception being, some of the multiple killing techniques that sometimes missed their marks but not so much as to ruin the movie. These gentlemen did a great job and we know there is more to come!






RECOMMENDATION: Unfortunately the first movie ever directed by Chang Cheh: Tiger Boy (1964) is out of print and unavailable so I may never see, let alone review this movie in my lifetime. This review of the second movie ever directed by Chang Cheh, THE MAGNIFICENT TRIO (1966) demonstrates the how skilled Mr. Cheh was at characterization. Since it is an adaptation and not an original script I am not comfortable giving an opinion on his writing skills based on this movie but history speaks volumes about Mr. Cheh’s writing talent so there is no need for me to add my silly two cents on the matter.  I can say that I was thoroughly entertained by all aspects of the film and so I can recommend it wholeheartedly to collectors and casual viewers alike. See you next time!




If you liked this review please comment on the blog, become a follower of the blog, join me on my Facebook account by sending me a message first and then a friend request so I know who I am friending (  https://www.facebook.com/Michael529P   ) and like my Facebook page: SHAW Brothers Kung Fu Movies 1965-1986. I thank you and would appreciate it very much!



NEXT UP: THAT MAN IN CHANG-AN (1967)





















Wednesday, February 8, 2017

REVIEW #4:THE KNIGHT OF KNIGHTS (1966)

REVIEW #4: 
THE KNIGHT OF KNIGHTS (1966)














Released May 18th, 1966, THE KNIGHT OF KNIGHTS (1966) is based on a script by Chang Cheh that according to the website Hong Kong Cinemagic is one of Mr. Cheh’s first foray into the wuxia genre. [Chang Cheh was involved in the planning of TEMPLE OF THE RED LOTUS (1965) and THE TWIN SWORDS (1965)]. Produced by both SHAW BROTHERS it is directed by the multitalented Sit Kwan but unfortunately no action director is credited. 


Lee Wan-Chung as Governor Wang
Tang Ti as the bandit Min Kong

During the Ming Dynasty, King Jing of a southern Chinese province entered in an agreement with the Imperial Eunuch Pei to increase the eunuch’s power with the ultimate goal being to usurp the power of the emperor. To this end, King Jing has enlisted the aid of the bandit Min Kong and his men along with the governor of Haimin, Governor Wang. Min Kong and his men disguise themselves as monks and take over the Zhaoqing Monastery as a base of criminal operations. 


Lee Ying as Inspector Lin
The criminal operations of Zhaoqing Monastery consist mainly of human trafficking but it is done as such a level that the people become very disgruntled. To make matters worse, Governor Wang has imposed unfair taxes and has even seized some of the people’s land from them and this causes outrage among the people and attracts the attention of Imperial Inspector Lin who asks his nephew, Wen Suchen of the Seven Men Of Dragon School to investigate the monastery  and the governor and bring him evidence of their crimes.  

Kiu Chong as Wen Sy Chen


Seven Men of Dragon School (minus one)
Unfortunately when Wen Suchen receives the Imperial Inspector’s orders he is visiting his sick mother so he sends his six classmates ahead of him to investigate in his stead. Although his six classmates are highly trained in martial arts they are no match for the booby traps and the hit and run tactics of the fake monks and are wiped out but with one classmate escaping, barely clinging to his life. Wen Suchen and his two young students come across this same classmate on their way to meet up with the rest of the Seven Men Of Dragon School and with his last dying words he tells Wen Suchen of their failed mission at Zhaoqing Monastery!  




Wen Suchen decides a different tact is called for and goes undercover with his two students as a scholar to Zhaoqing Monastery to face Abbot Min Kong. The three of them battle kidnapping, slavery and uncover a plot to murder Imperial Inspector Lin atop of Guanri Pagoda!



CAST REPORT:
the good: Kiu Chong as Wen Su Chen. Lee Ying as Imperial Inspector Lin. Cliff Lok as Wen Lung. Chow Lung-Cheung as Wen Hu. Lily Ho Li-Li as Lin Hong Yu. Lily Li Li-Li as Hsin Yang. 
the bad: Lee Wan-Chung as Governor Wang. Tang Ti as Abbot Kung Ming. Fung Ngai : senior monk. Fan Mei-sheng : senior monk. Tien Shun : senior monk.


Lily Ho Li-Li 's "controversial" scene for the time (1966)
HONORABLE MENTION: Wu Ma, Ku Feng, Liu Liang-Hua, Cheng Lui, Chen Hung-Lieh, Chiu Hung, Wang Kuang-Yu, Simon Yuen Siu-Tin

SPOTTED: Li Ching as Chin (Carpenter You’s sister) and Bruce Lee’s childhood friend (Little) Unicorn Chan as one of the fake monks in the opening of the film. 





FIGHT TIME: THE KNIGHT OF KNIGHTS (1966) has no fight director credited and indeed the quality of the fights (or lack thereof) attests to the lack of skill in the execution of the fight scenes. The fights seemed to me to be very poorly done with the real martial artist looking only slightly skilled and the non-martial artists looking like they had somewhere else to go and wanted to be killed quickly. Not using a fight choreographer was a mistake and the movie suffers from it. I counted only five (6) fight scenes including the short assassination attempt on the Imperial Inspector –enough for a legit kung fu movie and wisely spaced out to keep boredom from being a factor.


HONORABLE MENTION: It is a long way into the movie but, young Cliff Lok has the best-choreographed fight in the movie and is very convincing in warding off multiple opponents. Kudos


RECOMMENDATION: THE KNIGHT OF KNIGHTS (1966) is not a bad movie per-se. It features an all-star cast and guest stars the crème de la crème of the Shaw Brother studios. The script by Chang Cheh is above average as well. It’s major failing is in the lack of martial art style or weapon focus or of martial art choreography. However because of the full back nude scene it is an asterisk in wuxia film history and so it is collectible and should be purchased for this reason. Feel free to keep it in its sealed packaging so it is worth more money. See you next time!





If you liked this review please comment on the blog, become a follower of the blog, join me on my Facebook account by sending me a message first and then a friend request so I know who I am friending (  https://www.facebook.com/Michael529P   ) and like my Facebook page: SHAW Brothers Kung Fu Movies 1965-1986. I thank you and would appreciate it very much!




NEXT UP: THE MAGNIFICENT TRIO (1966)




Wednesday, January 11, 2017

REVIEW #003: COME DRINK WITH ME (1966)

REVIEW #003: 
COME DRINK WITH ME (1966)














October 1965 saw the first release of Shaw Brothers’ new genre of movies "wuxia" : TEMPLE OF THE RED LOTUS and in December of the same year a sequel followed: THE TWIN SWORDS. It would not be until the spring of 1966 that Sir Run Run Shaw would produce the next Shaw Brothers’ wuxia movie: COME DRINK WITH ME.


Released on April 7th, 1966, COME DRINK WITH ME is an adaptation of a Beijing Opera called The Drunken Beggar. In fact, the Chinese translation of the actual title of this movie is Da Zui Xia or Big Drunken Hero. It’s director, King Hu Chin-Chuan also co-wrote the screenplay with newcomer Ting Shan-Hsi (who some sources say also co-directed the film). Han Ying-Chieh served as action director and played a small role in the film. This, Shaw Brother’s third wuxia film would become so well known that it is often mistaken as their first. We shall see why the film is a bona fide classic and is so well loved. Let’s get busy!




A highly skilled and well-organized group of bandits have suffered a defeat at the hands of the provincial governor’s troops, who capture the bandit’s leader and sentence him to death. The remaining bandits kidnap the governor’s son with the intent to trade the governor’s son for the return of their leader and write a petition outlining this request along with a deadline of five days. The governor’s military commander, who also happens to be his daughter, intercepts the petition and offers the bandits another option: release her older brother and surrender in exchange for leniency from the governor –or die!



In the midst of this turmoil is a drunken beggar and a Buddhist abbot fighting over the leadership of a clan whose grand master has died. As they each choose opposing sides, this story has just gotten even more interesting, thus a classic is born!  

Yueh Hua as Fan Ta Pei aka Drunken Hero

Yuen Chi-Hing as Abbot Liao Kung
CAST REPORT:
the good: Cheng Pei Pei as Commander Chang aka Golden Swallow. Yueh Hua as Fan Ta Pei aka Drunken Hero (Drunken Cat) 
the bad: Chen Hung-Lieh as Jade-Faced Tiger. Lee Wan-Chung as Smiling Tiger Tsu Kan. Yueng Chi-Hing as Abbot Liao Kung.

 HONORABLE MENTION: Cheng Pei Pei screen presence is absolutely fascinating to behold. A true movie star!

Simon Yuen Siu-Tin
SPOTTED: Simon Yuen Siu-Tin seasoned action director and actor in independent films including Wong Fei Hung films and destined to become best known in the United States as Sam Seed, the Drunken Master.  His career spanned 325 films and 30 years (1949 to 1979) according to Hong Kong Movie Database.

Han Ying-Chieh  ACTION DIRECTOR
FIGHT TIME: All right, time for my favorite part of the movie review: the fights! Han Ying-Chieh is the fight choreographer for COME DRINK WITH ME (1966) and I counted six (6) major fight scenes pretty much evenly distributed throughout the film. However, they are not all created equal. The first fight scene is the raid on the prisoner’s procession where they kidnap the governor’s son. This fight is brutal, cruel and “economically” shows the viciousness of this group of bandits. 

Golden Swallow's "game face"!
Golden Swallow has three major fight scenes and they are masterpieces of effective double dagger combat against multiple opponents. Drunken Hero Fan Ta Pei has two major fight scenes that work when his martial arts are displayed at the level of master, however when the film tries to depict grand master level skills, the film technology of 1966 just doesn’t do it justice but it is both understandable and forgivable. 


HONORABLE MENTION: Han Ying-Chieh has a small role as a henchman but is the action director of record for COME DRINK WITH ME (1966). However, it seems to me the director King Hu Chin-Chuan gets all the credit for how great the movie is but the fight choreography is always mentioned in the reviews of this undisputed classic. I think it should be a bit more balanced but it is just my opinion


RECOMMENDATION: “Mama told me there’d be days like this…” There will be movies such as this that are undisputed classics and as such no recommendations are necessary. Whether you are a collector or casual viewer of films, COME DRINK WITH ME (1966) is a "must see" and "must have". 'Nuff said!





If you liked this review please comment on the blog, become a follower of the blog, join me on my Facebook account by sending me a message first and then a friend request so I know who I am friending (  https://www.facebook.com/Michael529P   ) and like my Facebook page: SHAW Brothers Kung Fu Movies 1965-1986. I thank you and would appreciate it very much!




NEXT UP: KNIGHT OF KNIGHTS (1966)



Saturday, December 24, 2016

REVIEW #002: THE TWIN SWORDS (1965)

REVIEW #002: THE TWIN SWORDS (1965)














Released December 22nd, 1965,  THE TWIN SWORDS (1965) was the sequel and continuation of the story started in TEMPLE OF THE RED LOTUS (1965) an adaptation of the novel, Jiang Hu Qi Xia Chuan (Shang Xia) written by Ping Jiang Bu Xiao Sheng. San Kong repeated his duties as the scriptwriter and Hsu Tseng-Hung returns as director but the elder Shaw brother, Runme Shaw is the producer this time out. Also once again there is no action director or choreographer credited. So, let’s get busy!


We last left our newly wed couple after they were aided in their escape by The Scarlet Maiden from The White Dove Convent (where the evil Red Lotus Clan had their kidnapping and forced prostitution base of operations). The Scarlet Maiden instructed them to “mind their own business” and return to the Gan Family Fortress, practice their kung fu and for Gui Xiao Wu to focus on avenging his parents. Lian Zhu and Xiao Wu headed back to the fortress and had only traveled a short way when they witnessed an apparent kidnapping of four women. It looked very much like the work of The Red Lotus Clan. 


Lian Zhu immediately lunges forward to save the women but Xiao Wu pulls her back. Not only does he want to heed the words of the Scarlet Maiden but he still feels remorse because all that has befallen them has been because of his poor judgment, if only he had minded his own business then they would have never left the Gan Fortress. [See TEMPLE OF THE RED LOTUS(1965) for details] But what husband can resists his wife’s pleadings? Lian Zhu convinces him that rescuing people is not minding someone else’s business and she knows they must be heading to the Red Lotus Temple. So “just this once” they go off to rescue the women. 



But, wouldn’t you know it? It’s a trap and Lian Zhu is captured! Xiao Wu has no choice but to return to the Gan Fortress and face the family that now views him as a traitor and beg them to help him rescue the daughter he caused to be endangered. And as if that weren’t enough, The Red Lotus Temple monks will be prepared for their attack, the danger and risk is obvious yet, how can they not go? Prepared to be rocked by a 1965 state of the art blockbuster!



CAST REPORT
the good: Jimmy Wang Yu as Gui Xiao Wu. Chin Ping as Gan Lian Zhu. Lo Lieh as Du Chuang. Ivy Ling Po as Gui Qiu, The Scarlett Maiden. Petrina Fung Bo Bo as Gan Xiao Ling. Li Ming as Grand Madame Gan. Tien Feng as Master Dragon Gan. 
the bad: Wong Ching-Ho as Red Lotus Chief Fa Ben. Fung Ngai as Red Lotus Chief Hua Fu. Lee Wan-Chung as Red Lotus Chief elder. Special Guest Star: Cheng Miu as Red Lotus Chief Grand Master Chung Yen.

HONORABLE MENTION: Ku Feng, Kao Pao-Shu, Wu Ma, and Lin Jing veteran performers of the Hong Kong movie industry with over one hundred films each!


SPOTTED: Bruce Lee’s childhood friend “Little Unicorn” as a Red Lotus monk. 



FIGHT TIME: Just as in Temple of The Red Lotus, THE TWIN SWORDS has no fight choreographer credited. I counted eight fight scenes once you allow for the first four and a half minutes of THE TWIN SWORDS, which is actually the last four and a half minutes of Temple of The Red Lotus. This is nearly twice the amount of action as the previous movie! The quality of the fight scenes are upheld in the sequel with the techniques displayed being realistic and to the point with no flailing about of the arms and weapons to simulate action. (The sole departing from realistic martial arts comes when the two grand masters go at it head to head in the finale. My instinct tells me to not make too much of this because the creators are in totally uncharted territory here and still managed to express their ideas.  So I decided to give it a pass. )


Chin Ping as Gan Lian Zhu "Warrior Princess"
HONORABLE MENTION: Chin Ping has a solo performance against the entire Red Lotus gang and puts her heart and soul into it! Unlike the first movie, I could not spot a single substitution of a stunt double during this entire fight and I even caught a moment when her sword bent from her putting all her strength into her techniques! Bravo! 


Bent sword at 16:54  but quickly edited out, great performance!

RECOMMENDATION: THE TWIN SWORDS (1965) is only the second movie in our journey of the early Shaw Brothers wuxia classics and the standard is already very high. This two-part adaptation of Jiang Hu Qi Xia Chuan (Shang Xia) [TEMPLE OF THE RED LOTUS being the first part] is fantastic and I can easily recommend this classic for collectors and casual viewers of martial art movies alike. The story and the action both hold up even fifty years later, see you next time!




If you liked this review please comment on the blog, become a follower of the blog, join me on my Facebook account by sending me a message first and then a friend request so I know who I am friending (  https://www.facebook.com/Michael529P   ) and like my Facebook page: SHAW Brothers Kung Fu Movies 1965-1986. I thank you and would appreciate it very much!






NEXT UP: COME DRINK WITH ME (1966)