Showing posts with label TUNG LI. Show all posts
Showing posts with label TUNG LI. Show all posts

Saturday, May 7, 2016

HEADS FOR SALE (1970) #048

HEADS FOR SALE (1970)
















This time Producer Runme Shaw teams up Director Walter Chung Chang-Hwa with the gifted Script writer Yip Yat-Fong for HEADS FOR SALE released May 6th, 1970. Wild and interesting, with plenty of action but no action director, I can't wait to get into this one, so --let's get busy!


Hua Chen-Fang had long turned over a new leaf. He had been a "successful" burglar to the extent that he was able to retire with his wife and daughter and live in a modest comfort. Everyone in the Jiang Hu knew of his past life but because he had never harmed anyone, everyone could tolerate his presence. However when his daughter, Hua Bi-Lian, became of the age to marry, no one would accept her hand. To Hua Pi-Lien, herself, this was not a problem until the one man she did fancy: Luo Hong-Xun, also refused to marry her. Hua Bi-Lian then set out to confront him. 



Luo Hong-Xun attempted to reason with Hua Bi-Lian but she was too enraged. So, during their fight, he pretended she struck him and she was suddenly taken aback and raced off on her horse. After a while, however, Hua Bi-Lian's parents came to the Luo's home demanding he return Hua Bi-Lian to them. She had gone missing and they thought she was with him. Hong-Xun's mother explains to Bi-Lian's mother what happened and the Hua's take off to find their daughter. Luo Hong-Xun decides to go after Hua Bi-Lian and bring her back to her family. 



After leaving Luo Hong-Xun's house, Hua Bi-Lian comes across a man attempting to commit suicide by hanging himself from a tree. She cuts him down and learns he is doing so because he was tricked into gambling and lost his wife away to the gambling hall manager, Wan San-Ju for ten taels of gold. Bi-Lian goes to the gambling house to win back the wife, she gambles and wins the wife back and (of course) is attacked by Wan San-Ju and his men after the fact. During their battle, Hong-Xun catches up to Bi-Lian and jumps in to assist her and together they chases away Wan San-Ju and the remaining attackers. 


Gambling hall manager Wan San-Ju goes to report this trouble to his boss, and he turns out to be none other than Huang Lun, an old neighborhood bully and nemesis of Luo Hong-Xun. Times has been very kind to Huang Lun, although he has a scar and the bad memories of his run in with Luo Hong-Xun to keep him company, he can hold his head up because since being forced out of their old neighborhood, prostitution and gambling has been very, very good to Huang Lun and poor Luo Hong-Xun is about to find out just how good


CAST REPORT
the good: Lisa Chiao Chiao as Hua Bi Lian (she has never looked so good! this was an EXCELLENT role for her!). Chan Leung as Luo Hong-Xin. Chen Miu as Hua Chen-Fang. Lai Cheuk-Cheuk as Madame Hua. Wang Hsieh as Hero Pao Tzu-An. Helen Ma Hoi-Lun as Pao Chin-Hua. 
the bad: Fan Mei-Sheng as Wan San-Chu. Kao Ming as Huang Lun. Hung Lau as Pai Hua-She.


HONORABLE MENTION: Cheng Lui, Tung Li, and Chen Sing play minor roles. 


FIGHT TIME: I counted nine (9) excellent fight scenes in HEADS FOR SALE (1970). Historically, I see "they" have achieved the lateral movement of the "light skill" in wuxia. It looks fantastic! I am very excited to see the future of this technique. Why do I say "they"? Because HEADS FOR SALE (1970) has no action director credited! This is remarkable because the action throughout the movie is so praiseworthy I can't imagine who would not want to take credit for it? I do have a suspect but I dare not say who it is --but the fights are worth the price of admission AND the story is very entertaining, no disappointments here. 


HEADS FOR SALE (1970) is a definite recommend for collectors because of the standard for the seventies wuxia fights is established here, in my opinion. Every movie produced after this one has to be at least as good as HEADS FOR SALE or I got problems with it, period. In addition, it is a fun and entertaining wuxia afternoon for all fans so buy or borrow it at all costs! See you next time!




If you liked this review please comment on the blog, become a follower of the blog, join me on my Facebook account by sending me a message first and then a friend request so I know who I am friending (  https://www.facebook.com/Michael529P   ) and like my Facebook page: SHAW Brothers Kung Fu Movies 1965-1986. I thank you and would appreciate it very much!




NEXT UP:  VENGEANCE! (1970)



Saturday, January 30, 2016

DRAGON SWAMP (1969)

DRAGON SWAMP (1969)




















DRAGON SWAMP (1969) is Runme Shaw's production of a fascinating fantasy / wuxia tale from the fertile mind of director and script writer Lo Wei. Using the captivating canvass of the Shaw Brothers beauty Cheng Pei Pei, Lo Wei and make-up artist Fong Yuen add a wonderful dimension to what otherwise had been another "they stole my magic sword" wuxia tale. Let's take a look. 


The JADE DRAGON SWORD is a coveted treasured sword from the Shangzhou Dynasty. Unfortunately, after being used to murder an enlightened personage that was a reincarnation of the holy Buddha it became cursed. Whoever attempts to own the sword is possessed with a madness and their family is fated to be broken. The sword came to be trusted to the Taoist Lingshan Chunyang Monastery. 


Under the current abbot, Master Fan Chung Yun, the Jade Dragon Sword was stolen by Tang Dachuan the White-Faced General. Tang Dachuan seduced Master Fan's student Fan Ying, a 17-year-old impressionable young girl who betrayed everyone and everything she knew for the "love and kindness" of the sweet-talking devil. Three years and two children later (not to mention a certain Jade Dragon Sword) the two lovers hiding place is discovered by Master Fan. Tang Dachuan escapes with the older child and leaves behind Fan Ying and the younger child. Master Fan recovers the Jade Dragon Sword and punishes Fan Ying to a twenty year banishment in the Dragon Swamp but he takes the youngest child with him to raise in his monastery.  


20 years later, a grown up Qing Erh practices the 8 diagram steps at the Jingang Pagoda unaware that she is being observed but when it is discovered that the Jade Dragon Sword has once again been stolen Qing Erh suspects that she is the one responsible for the thief's ability to walk the correct steps to get the sword. She sneaks out of the monastery determined to reclaim the sword for her teacher and ask for his forgiveness. It is not the sword, however, but her face that sets up the incidents that become a fascinating adventure for the young girl and for us. 


DRAGON SWAMP (1969) has an all-star cast but Cheng Pei Pei owns this movie with a duel performance as Fan Ying and her daughter Qing Erh. I have no idea why this movie is not every bit the classic as Come Drink With Me (1966). She nails both roles very convincingly. Director and scriptwriter Lo Wei plays the big good Master Fan Chung Yu and Huang Chung-Hsin plays the big bad Tang Dachuan the white-faced general. Yueh Hua is Roaming Knight Xi Zheng Yuan and Lo Lieh is Head of Security Yu Chiang.
HONORABLE MENTION: Sammo Hung Kam-Bo rises from extra to bit part as "gambler at Chiang's party". 


FIGHT TIME: Sorry, but I found no one credited with the action direction for this film. Although both Lee Siu-Pang and Han Ying-Chieh, (both capable action directors at the time), are in this film neither one is credited anywhere as action directors for this movie. That said, I counted are six (6) full fight scenes and I have learned that that's plenty of action for this time period. The scenes are also pretty well done but I have notice the debut of the concentric circles clock-counter-clock stuntman-go-round that the extras do while waiting for their turn to die in fight scenes and I can't help but smile.

HONORABLE MENTION: As I mentioned before, Sammo Hung Kam-Bo rises from stuntman extra to bit part as "gambler at Chiang's party".  


As I said before,  I have no idea why this movie is not more well known. As famous as Cheng Pei Pei is, DRAGON SWAMP (1969) is a tour de force of Cheng Pei Pei's acting skills as we see her in her 20's 40's and looking like she is in her 60's.   Fong Yuen absolutely deserves another mention as the make-up artist and Lo Wei has indeed whipped up another fascinating story but it is Cheng Pei Pei's acting skills that sell her characters in all their different stages. Bravo to Cheng Pei Pei for giving the Shaw Brothers another classic film that is also epic. Yes, by all means, see it, buy it, borrow it but sorry, no stealing. 


When people summarily dismiss martial art movies from the 1960's, I understand. The level of personal skills that Bruce Lee brought to the movie world raised the bar for every single movie industry in existence. Yet, if you discard our history like that, what of movies like this? We are not better off for not having seen this movie. I am glad however to witness a movement to not only own these classics but to watch them as well. I am also humbled to be able to do my part by blogging these reviews. Good or bad, like or not, let's keep watching. See you next time. 



If you liked this review please comment on the blog, become a follower of the blog, join me on my Facebook account by sending me a message first and then a friend request so I know who I am friending (  https://www.facebook.com/Michael529P   ) and like my Facebook page: SHAW Brothers Kung Fu Movies 1965-1986. I thank you and would appreciate it very much!



NEXT UP: THE FLYING DAGGER (1969)