HEADS FOR SALE (1970) #048

HEADS FOR SALE (1970)

This time Producer Runme Shaw teams up Director Walter Chung Chang-Hwa with the gifted Script writer Yip Yat-Fong for HEADS FOR SALE released May 6th, 1970. Wild and interesting, with plenty of action but no action director, I can't wait to get into this one, so --let's get busy!

Hua Chen-Fang had long turned over a new leaf. He had been a "successful" burglar to the extent that he was able to retire with his wife and daughter and live in a modest comfort. Everyone in the Jiang Hu knew of his past life but because he had never harmed anyone, everyone could tolerate his presence. However when his daughter, Hua Bi-Lian, became of the age to marry, no one would accept her hand. To Hua Pi-Lien, herself, this was not a problem until the one man she did fancy: Luo Hong-Xun, also refused to marry her. Hua Bi-Lian then set out to confront him. 

Luo Hong-Xun attempted to reason with Hua Bi-Lian but she was too enraged. So, during their fight, he pretended she struck him and she was suddenly taken aback and raced off on her horse. After a while, however, Hua Bi-Lian's parents came to the Luo's home demanding he return Hua Bi-Lian to them. She had gone missing and they thought she was with him. Hong-Xun's mother explains to Bi-Lian's mother what happened and the Hua's take off to find their daughter. Luo Hong-Xun decides to go after Hua Bi-Lian and bring her back to her family. 

After leaving Luo Hong-Xun's house, Hua Bi-Lian comes across a man attempting to commit suicide by hanging himself from a tree. She cuts him down and learns he is doing so because he was tricked into gambling and lost his wife away to the gambling hall manager, Wan San-Ju for ten taels of gold. Bi-Lian goes to the gambling house to win back the wife, she gambles and wins the wife back and (of course) is attacked by Wan San-Ju and his men after the fact. During their battle, Hong-Xun catches up to Bi-Lian and jumps in to assist her and together they chases away Wan San-Ju and the remaining attackers. 

Gambling hall manager Wan San-Ju goes to report this trouble to his boss, and he turns out to be none other than Huang Lun, an old neighborhood bully and nemesis of Luo Hong-Xun. Times has been very kind to Huang Lun, although he has a scar and the bad memories of his run in with Luo Hong-Xun to keep him company, he can hold his head up because since being forced out of their old neighborhood, prostitution and gambling has been very, very good to Huang Lun and poor Luo Hong-Xun is about to find out just how good. 

CAST REPORT

the good: Lisa Chiao Chiao as Hua Bi Lian (she has never looked so good! this was an EXCELLENT role for her!). Chan Leung as Luo Hong-Xin. Chen Miu as Hua Chen-Fang. Lai Cheuk-Cheuk as Madame Hua. Wang Hsieh as Hero Pao Tzu-An. Helen Ma Hoi-Lun as Pao Chin-Hua. 

the bad: Fan Mei-Sheng as Wan San-Chu. Kao Ming as Huang Lun. Hung Lau as Pai Hua-She.

HONORABLE MENTION: Cheng Lui, Tung Li, and Chen Sing play minor roles. 

FIGHT TIME: I counted nine (9) excellent fight scenes in HEADS FOR SALE (1970). Historically, I see "they" have achieved the lateral movement of the "light skill" in wuxia. It looks fantastic! I am very excited to see the future of this technique. Why do I say "they"? Because HEADS FOR SALE (1970) has no action director credited! This is remarkable because the action throughout the movie is so praiseworthy I can't imagine who would not want to take credit for it? I do have a suspect but I dare not say who it is --but the fights are worth the price of admission AND the story is very entertaining, no disappointments here. 

HEADS FOR SALE (1970) is a definite recommend for collectors because of the standard for the seventies wuxia fights is established here, in my opinion. Every movie produced after this one has to be at least as good as HEADS FOR SALE or I got problems with it, period. In addition, it is a fun and entertaining wuxia afternoon for all fans so buy or borrow it at all costs! See you next time!

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NEXT UP:  VENGEANCE! (1970)

THAT FIERY GIRL (1968)

THAT FIERY GIRL (1968)

THAT FIERY GIRL (1968) is a romantic / drama / wuxia tale of opposing clans. Not quite Romeo and Juliet but not far off. Yan Jun is the director and Liang Jen is the script writer and this is Mr. Liang's very first script. Runme Shaw is the producer this time around. We should remember Yan Jun as the director of THAT MAN IN CHANG-AN (1967) that I declared was a wuxia / comedy that kept me laughing, I hoped, intentionally. So, as you can imagine, I am really looking forward to watching this one. Let's check out the plot. 

Mei Feng-Chun and two of his friends of the Mei Clan return from training in kung fu to get revenge on the Hulu Clan for past atrocities committed by the Hulu Clan against the Mei Clan. As they approach their village they see members of the Hulu Clan galloping away from their village. They race back to their village to find their ancestral shrine burning and their Clan Chief mortally wounded. The Mei Clan Chief lives just long enough to tell Mei Feng-Chun what happened: The Hulu Clan raided the Mei Clan Ancestral Shrine hoping to get the treasure map of the Mei Clan. 

Unfortunately the map had been long ago stolen so the Hulu Clan raiders burned down the ancestral shrine.  Mei Feng-Chun and his two friends camp out to plan their next move but coincidentally it is the meeting place of the Mei Clan traitor, Mei Danui who stole the treasure map and his Hulu Clan co-conspirator. After hearing the arrangement Mei Danui made for assylum at the Hulu stronghold Mei Fengchun kills Mei Danui and steals his identity to infiltrate The Hulu Clan and recover the Mei clan treasure map and get revenge for the deaths caused by the Hulu clan. His first obstacle: the Hulu Clan's fierce warrior woman Pearl, also know as Red Chili.

Chan Leung debuts as Mei Feng-Chun / Mei Denui and has that "cop smell" all over him. Chan Leung just looks, acts, moves and radiates "good guy" and THAT FIERY GIRL (1968) totally benefits for it. On top of all of that, it doesn't hurt that this is his very first job and it carries over in his performance in the enemy's camp, unsure whether or not at any moment he could be unmasked as a traitor he never comes across as relaxed. On the other hand you have the veteran actress Cheng Pei-Pei as Pearl / Red Chili, who delivers the exact character required here: an immensely confident daddy's girl superbly trained in the martial arts vaguely aware of the evil around her but not consumed by it. 

Pearl is immediately draw to the aura of goodness in Mei Denui and becomes his protector. Their chemistry is one of big sister / little brother and evolves into a young woman's first crush as his character compared to the other Hulu men is one of personal pride versus the Hulu men's creepy selfishness. A very easy choice for her to make and THAT FIERY GIRL (1968) is very much more a romantic drama with a Romeo and Juliet twist than a wuxia revenge tale but it combines both elements and works well as very good entertainment.

HONORABLE MENTION: The great character actor Ku Feng as an unnamed character! Ku Feng plays Mei Feng-Chun's quick witted friend with a fiery temper of his own. 

FIGHT TIME: THAT FIERY GIRL (1968) is not much on fights. There is no one credited for fight choreography and I counted only 2 or 3 fights with some small skirmishes here and there. This film is saved by the Romeo and Juilet theme of the story and the actors so thankfully there is no reason to be disappointed too much.

I recommend THAT FIERY GIRL (1968) as a pleasant way to past the time for viewers and collectors and it certainly doesn't hurt to see Cheng Pei-Pei act as a different character than her performance in COME DRINIK WITH ME (1966). She is very convincing as a cute daddy's girl. See you next time!

NEXT UP:  THE SWORDS OF SWORDS (1968)