Review #6: THAT MAN IN CHANG-AN (1967): the first kung fu comedy!

REVIEW #6: 

THAT MAN IN CHANG-AN (1967): the first kung fu comedy!

Shaw Brothers’ first movie of 1967, THAT MAN IN CHANG-AN (1967) very quietly set history as the first wuxia / comedy ever made. Released February 18^th, 1967 it was produced by Sir Run Run Shaw and directed by veteran director Yan Jun. Ting Shan-Hsi wrote the script, only his second film, but the film he wrote before this one was the great COME DRINK WITH ME (1966) in an effort with King Hu. THAT MAN IN CHANG-AN (1967) is not as popular as other Shaw Brothers films of this period and while I have read other reviews of this movie there is not a lot of information on the making of the film and the audience’s reception of it. So we will just dig in and experience it for ourselves, in other words – let’s get busy!

KEYSTONE COPS chase scene

Empress Lu wants to replace the king of Zhongdu with her nephew. She sends an Imperial Edit to her nephew, General Lu Kun to assassinate the king of Zhongdu, King Dai Liu Heng and take his place as king in that province. So, General Lu Kun puts a scheme in place to frame King Dai Liu Heng for treachery so he may take the king’s head but when it comes time to take the king’s head does he do it? Noooooo, he decides to hold the king’s mother hostage and the place the king under house arrest so that he can marry the king’s sister and… what in the world is he doing?!? 

It says we are a comedy... what's a "comedy"?

It does not make any sense but spoofs rarely do. This delightful send up of the plot devices used in the spy movies that were coming to be popular in the sixties was a great idea but to set it in ancient China is probably where it threw everybody off. The movie itself is very funny in certain places but defies logic in just as many places and so while one should only have fun with it, the movie is set in a genre where everything is taken very, very seriously. What a challenge!

And what am I --blind?

Kim Jin-Kyu aka the Masked Man aka That Man in Chang-An aka Zhuang Bai the alchemist

CAST REPORT

the good: Kim Jin-Kyu as Zhuang Bai aka, The Masked Man aka, That Man in Chang-An. Fang Ying as Princess Wen Yang. Alison Chang Yen as Hong-er. Tien Feng as King Dai Liu Heng. Yan Jun as Cao Wu.

the bad: Park Nou-Sik as General Lu Kun. Cheung Kwong-Chiu as General Zhang. Chiu Ming as General Tian Ying.

HONORABLE MENTION: Kim Jin-Kyu as That Man in Chang-An. Mr. Kim totally sells his character as comedic when he has to and serious when he needs to, perfect casting!

SPOTTED: Fan Mei-Sheng as Cao Wu’s waiter. 

Fan Mei-Sheng 

What do you mean "you have to go??!"

FIGHT TIME: THAT MAN IN CHANG-AN (1967) has no fight choreographer credited. I counted eight (8) fight scenes scattered throughout the movie. For the most part they are short scenes with the exception of the four-minute finale. These fight scenes are basically by the numbers “one, two, three – kill” sword fights, rarely (there are exceptions, mostly during the finale.) more that two attackers at a time no matter how many soldiers enter the scene. There is also some last minute under cranking during the finally that just adds to the humor of the entire film, believe me, you do not watch this film for the fights.

HONORABLE MENTION: Alison Chang Yen’s (as Hong-er) double daggers versus soldiers with swords and spears fight scenes with its very direct maneuvering and quick-kill counters, were the best fights in the entire movie hands down. No nonsense, practical self defense techniques, bravo!

RECOMMENDATION: THAT MAN IN CHANG-AN (1967) is an automatic recommendation as a purchase because it is collectible as the first wuxia / comedy ever made. I was very animated while watching this movie with its the humorous moments and with the sheer ridiculousness of some of the scenarios presented, so I am definitely recommending it for the average viewer for pure popcorn entertainment! This movie is funny, period. That’s me for now, see you next time.

If you liked this review please comment on the blog, become a follower of the blog, join me on my Facebook account by sending me a message first and then a friend request so I know who I am friending (  https://www.facebook.com/Michael529P   ) and like my Facebook page: SHAW Brothers Kung Fu Movies 1965-1986. I thank you and would appreciate it very much!

NEXT UP: THE TRAIL OF THE BROKEN BLADE (1967)

THE JADE FACED ASSASSIN (1971) #63

THE JADE FACED ASSASSIN (1971)

Released April 9th, THE JADE FACED ASSASSIN (1971) is the first movie adaptation of (pen name) Gu Long’s extremely popular wuxia novel: Jue Dai Shuang Jiao which has been called in English: The Proud Twins, Two Peerless Heroes, The Legendary Siblings, etc. It was produced by Sir Run Run Shaw, scripted by Wong Fung [The Golden Knight (1970)], and directed by Yan Jun [The Iron Buddha (1970)] who, this time, does not use or at least does not credit an action director which is surprising considering the popularity of this stand-alone novel from Gu Long but we shall see what we shall see, eh? Let me point out from the outset that the twins are both male in the novel but Sir Run Run Shaw went for the female lead as is his usual choice so one twin is female and the other is male. Okay, let’s get busy!

The Chang Chuen Clan Creed

The head master of the Chang Chuen Clan had bestowed the Clan leadership to his most senior male student, Chang Chun on his deathbed. This is done in the Jiang Hu by handing over a badge known as the Headmaster's Creed. Unfortunately Chang Chun was not the most skillful of his pupils. That honor went to the older of his three daughters. While the second daughter feel in love with Chang Chun, he had an affair and twin children with the youngest daughter and he had no choice after their master’s death but to take his family and run for their lives. But before he left, he sent a message to his foster brother the hero, Lian Lan Yan informing him of his plight and asking for help.

Chang Chun, his wife and twin infants had only gone a short way when The Weird Four of Lao Shan ambushed them, taking the Chang Chuen Clan Creed in their possession and were intent on murdering them all. Suddenly, the second elder sister appeared and struck down the whole gang saving them. But when the eldest sister came everything changed. She was the big sister and the highest skilled and by right she should be the clan headmaster so she killed her youngest sister and her husband and grabbed a sword intent on o murdering the twin babies. 

Second Sister (Er Jie)

Eldest Sister (Jie Jie)

However the second sister could not bear the murder of the two infants so she convinced her older sister that they should instead, separate the two siblings and create a situation where they would end up killing each other making for an exquisite revenge. The eldest sister agreed and they went back to their mansion taking the male sibling. Over a period of eighteen years, she raised the child (Hua Yu Chun) as a member of the Chang Chuen Clan and made him vow to find Lian Lan Yan and kill him and any of his family members as sworn enemies of the clan.  

When the Hero Lian Lan Yan finally comes across the scene of the bloodied bodies he finds two survivors: the female infant and Black Face, one of The Weird Four of Lan Shan. Black Face tells Lian Lan Yan that Chang Zhai set him up as a fall guy and is waiting at Happy Valley. Hero Lian leaves Black Face right where he is to die while taking the female infant with him and goes off to Happy Valley to find Chang Zhai.

When Hero Lian gets to Happy Valley he finds a haven for villains and the evil people there promptly trick him and beat him nearly to death. But Lan Cun Xiu, the Poison Scholar has come to Happy Valley to turn over a new leaf, so he deceives the other residents of Happy Valley into letting him keep Hero Lian to use as a human guinea pig while the villains decide to keep the female infant with the intention of raising her and training her to be a champion of evil. However over the course of eighteen years she (Xiao Lu Er) learns her true identity from Lan Cun Xiu and is told to find Chang Zhai and revenge her father's death.

Lily Ho as Xiao Lu Er

Kao Yuen as Hua Yu Chun

Now they both walk the Jiang Hu on a collision course with destiny. I am not going to keep it from you, this is an epic tale, and an adaptation worthy of the original novel and is a must see!

CAST REPORT

the good: Lily Ho Li-Li as Xiao Lu Er. Kao Yuen as Hua Yu Chun. Ku Feng as Lian Lan Yan. Fan Mei-Sheng as Yu Chi Zhou Guang. Violet Pan Ying-Zi as Tse Xin Chan. 

the bad: Chang Pei-Shan as Chang Zhai / Chang Ting Le. Essie Lin Chia as Jie Jie. Chia No as Black Face. Kwok Chuk-Hing as Er Jie

HONORABLE MENTION: Lily Ho Li-Li has captured the spirit of the character Xiao Lu Er from Gu Long's novel and draws us in enough to enjoy the movie. Good acting! 

FIGHT TIME: THE JADE FACED ASSASSIN (1971) is directed by Yan Jun who (according to the credits) doubles as the action director. I counted ten (10) fight scenes including the finale and there is plenty of action here to entertain us along with a great story. I must say though, the action has a low-tech, old fashioned feel (not as slick as say, Tang Chia’s work). Funny thing is, the choreography is very well suited for the feel of the movie and complements the background music and overall style of the film. Good job overall 

HONORABLE MENTION: Liu Chia-Yung has a minor cameo, and I spotted Wang Chung and Yuen Cheung-Yan as extras / stuntmen.

RECOMMENDATION: THE JADE FACED ASSASSIN (1971) is a “must see” and opportunity to experience popular Chinese modern literature without learning to read the most difficult written language (imo) on earth.  As the first adaptation of Gu Long’s very popular novel it should have some collector’s value as well. Get this movie at all cost, don’t say I didn’t tell ya! See you next time!

If you liked this review please comment on the blog, become a follower of the blog, join me on my Facebook account by sending me a message first and then a friend request so I know who I am "friending" (  https://www.facebook.com/Michael529P   ) and like my Facebook page: SHAW Brothers Kung Fu Movies 1965-1986. I thank you and would appreciate it very much!

NEXT UP: THE DUEL (1971)

THAT FIERY GIRL (1968)

THAT FIERY GIRL (1968)

THAT FIERY GIRL (1968) is a romantic / drama / wuxia tale of opposing clans. Not quite Romeo and Juliet but not far off. Yan Jun is the director and Liang Jen is the script writer and this is Mr. Liang's very first script. Runme Shaw is the producer this time around. We should remember Yan Jun as the director of THAT MAN IN CHANG-AN (1967) that I declared was a wuxia / comedy that kept me laughing, I hoped, intentionally. So, as you can imagine, I am really looking forward to watching this one. Let's check out the plot. 

Mei Feng-Chun and two of his friends of the Mei Clan return from training in kung fu to get revenge on the Hulu Clan for past atrocities committed by the Hulu Clan against the Mei Clan. As they approach their village they see members of the Hulu Clan galloping away from their village. They race back to their village to find their ancestral shrine burning and their Clan Chief mortally wounded. The Mei Clan Chief lives just long enough to tell Mei Feng-Chun what happened: The Hulu Clan raided the Mei Clan Ancestral Shrine hoping to get the treasure map of the Mei Clan. 

Unfortunately the map had been long ago stolen so the Hulu Clan raiders burned down the ancestral shrine.  Mei Feng-Chun and his two friends camp out to plan their next move but coincidentally it is the meeting place of the Mei Clan traitor, Mei Danui who stole the treasure map and his Hulu Clan co-conspirator. After hearing the arrangement Mei Danui made for assylum at the Hulu stronghold Mei Fengchun kills Mei Danui and steals his identity to infiltrate The Hulu Clan and recover the Mei clan treasure map and get revenge for the deaths caused by the Hulu clan. His first obstacle: the Hulu Clan's fierce warrior woman Pearl, also know as Red Chili.

Chan Leung debuts as Mei Feng-Chun / Mei Denui and has that "cop smell" all over him. Chan Leung just looks, acts, moves and radiates "good guy" and THAT FIERY GIRL (1968) totally benefits for it. On top of all of that, it doesn't hurt that this is his very first job and it carries over in his performance in the enemy's camp, unsure whether or not at any moment he could be unmasked as a traitor he never comes across as relaxed. On the other hand you have the veteran actress Cheng Pei-Pei as Pearl / Red Chili, who delivers the exact character required here: an immensely confident daddy's girl superbly trained in the martial arts vaguely aware of the evil around her but not consumed by it. 

Pearl is immediately draw to the aura of goodness in Mei Denui and becomes his protector. Their chemistry is one of big sister / little brother and evolves into a young woman's first crush as his character compared to the other Hulu men is one of personal pride versus the Hulu men's creepy selfishness. A very easy choice for her to make and THAT FIERY GIRL (1968) is very much more a romantic drama with a Romeo and Juliet twist than a wuxia revenge tale but it combines both elements and works well as very good entertainment.

HONORABLE MENTION: The great character actor Ku Feng as an unnamed character! Ku Feng plays Mei Feng-Chun's quick witted friend with a fiery temper of his own. 

FIGHT TIME: THAT FIERY GIRL (1968) is not much on fights. There is no one credited for fight choreography and I counted only 2 or 3 fights with some small skirmishes here and there. This film is saved by the Romeo and Juilet theme of the story and the actors so thankfully there is no reason to be disappointed too much.

I recommend THAT FIERY GIRL (1968) as a pleasant way to past the time for viewers and collectors and it certainly doesn't hurt to see Cheng Pei-Pei act as a different character than her performance in COME DRINIK WITH ME (1966). She is very convincing as a cute daddy's girl. See you next time!

NEXT UP:  THE SWORDS OF SWORDS (1968)

THAT MAN FROM CHANG-AN (1967)

THAT MAN IN CHANG-AN (1967)

 During the Han Dynasty the Empress Lu wanted her nephew General Lu Kun to rule over the neighboring territory of Zhongdu instead of the current ruler King Dai even though King Dai was loved by the Han commoners. She issued an edict calling for King Dai's execution and for General Lu's to take over of the area with the assistance of Imperial troops. It should have been a cake walk as King Dai had no idea the empress had any such intentions but for THAT MAN IN CHANG-AN. A dart throwing vigilante called THE MASKED MANhas followed the courier from the royal palace to General Lu Kun's residence (I guess he was suspicious of Empress Lu and had been spying on her) just in time to assassinate the courier, steal the edict, escape the resident soldiers barge into King Dai's palace past the king's small army and protective guards and warn the King of the conspiracy. Starting to sound ridiculous yet? Don't worry Yi Cheung is not finished with you. Yes, the same script writer that co-scripted COME DRINK WITH ME (1966) came up with THAT MAN IN CHANG-AN. If you decide to see this movie I assure you --you are in for a wild ride!

No, no, no -- he really says to the King : "I'm the Masked Man." I'm sorry --who the hell else would you be?

So, where were we? Oh, yeah --THE MASKED MAN is in King Dai's palace and trying to warn King Dai of Empress Lu's plans to replace him. The King's body guard and trusted general, General Tian Ying immediately calls THE MASKED MAN a liar and tries to kill him and orders the soldiers to attack him (yes, you are right in what you are thinking.) so he hurls the edict with one of his darts at a wall (not to close to the king, mind you) and tells him that it is Empress Lu's edict and is the prove the king needs that The Masked Man was telling the truth. Having warned the king, off he goes. The edict is retrieved by the Queen's sister Princess Wen Yang and as she hands it over to King Dai she suggests they in addition to preparing for the attack at home they also go to Chang-an for help. And wouldn't you know it, just before The Masked Man barged in, the Queen and King were discussing his mother's poor health and how they wanted to find the great doctor and alchemist(!) Zhuang Bai to treat his mother but where could they find him? Princess Wen Yang suggest she go to Chang-An for help under the guise of finding Zhuang Bai for his mother's treatment and while there get help. King Dai agrees to the idea and sends trusted General Tian Ying to accompany the princess and her maiden Hong Er to Chang-An. But...

"It says we're a 'comedy'. What in the world is a 'comedy'?"

A funny thing happens on the way to Chang-an. The trusted General Tian Ying is actually a traitor paid off by General Lu Kun to make sure things go his way. So General Tian disables the Princess' chariot and the princess and Hong Er fall over a cliff, only to be saved by this fellow Zhuang Bai, the doctor / alchemist they were looking as part two of their mission. So alls well that ends well but wait --there's more!! Hong Er does not trust this strange fellow (ever though the princess has to hint at her twice to not give him certain information) so Hong Er urge the princess to leave before daybreak and get to Chang-an and get help. But wait, when they get outside it is already daybreak and they end up getting caught again, because yeah, all those soldiers are still out there looking for at least, their bodies. So they get rounded up and taken back to Zhongdu. However even though General Tian helps capture Hong Er, Hong Er never tells Princess Wen Yang General Tian is a traitor because that would mess up a plot device set up for later on. By now everybody in the audience knows That Man in Chang-an, The Masked Man, and Zhuang Bai are the same guy and now he has to go to Zhongdu to save these mistrusting, ungrateful bit --uh royal ladies and still figure out how to save King Dai!

"I don't think we really look like men to them!"

Does the above plot summary sound long to you? You are correct sir, this movie clocks in at a loooooong one hour and fifty-one minutes! And unfortunately the acting talents don't make the time seem any shorter. The actors here seem very unremarkable for a Shaw Brothers movie although to be fair, Fang Ying does do a good job as Princess Wen Yang but the part is so typical royalty so it doesn't help the film as a drama.  In addition, with the exception of Tien Feng (King Dai Liu Heng) and Fan Mei Sheng (Cau Wu Winery waiter) only some of the bit part players are familiar to me. Kim Jin-Kyu is That Man in Chang-an / The Masked Man / Zhuang Bai. and Park Nou-Sik plays General Lu Kun. Allyson Chang Yen is the princess' aide Hong Er and they just don't ring a bell. Please let me be clear, their acting doesn't so much suck as it seems suited to something other than a drama. Yes, I am going to get to that in a minute. 

"Why are you all attacking only two at a time?"

But first, let's get to the fights! I counted 8 fight scenes scattered throughout the movie. For the most part, they are short scenes with the exception of the finale. Unfortunately the one and only one notable fight scene featuredAllyson Chang Yen as Hong Er fighting with double daggers against soldiers with spears as she applied very sophisticate maneuvering and quick-kill counters, I was very impressed with this and yes it did remind me of Cheng Pei Pei work in COME DRINK WITH ME (1967) but without the "dance-ness", just strictly slick but practical self-defense. The other fight scenes were by the numbers "one, two, three -kill" sword fights, rarely more than two attackers at a time no matter how many soldiers entered the scene. Watching this twice in a row was just too funny! The finale's under cranking was so last-minute it just looked weak and experimental and it very well could have been. Not good. 

"How much would you expect to pay to watch a movie this bad?"

So there you are, probably just like me when I was as I was writing this, waiting for me to recommend you not waste nearly two hours of your time watching this movie when three things start to bother me.  Number one: the "Keystone Cops" chase scene that opened the movie. Not a fight scene mind you, but a camp comedy chase scene where nobody gets hurt and I experienced a little belly laugh. Number two: Kim Jin-Kyu, the actor selected to play the lead actor really comes off as a comedic actor and not a dramatic hero type, things that make me go hmmmm. Number three: the healing scene with Kim Jin-Kyu and Ayllson Chang Yen. This is the funniest thing I have seen in any movie including full blown comedies --coincidence? What if...

Comedy or Drama?

I am going to recommend THAT MAN IN CHANG-AN (1967) but only as the first Shaw Brothers WUXIA COMEDY! There are just too many laughs that just can't be unintentional. Yes, all of the principal people involved in the production are past away so they cannot be questioned about it but "the proof is in the pudding". This movie is mad funny. With a little more work and deliberation this movie would have been revolutionary as a wuxia comedy in 1967 but also, so far, far ahead of its time. I don't know if Run Run Shaw would have released it because the risk back then would have been inconceivable. A brand new film genre with a brand new twist would have been just too much to gamble on overtly. Watch it and tell me what you think!

If you liked this review please comment on the blog, become a follower of the blog, join me on my Facebook account by sending me a message first and then a friend request so I know who I am friending (  https://www.facebook.com/Michael529P   ) and like my Facebook page: SHAW Brothers Kung Fu Movies 1965-1986. I thank you and would appreciate it very much!

UP NEXT:TRAIL OF THE BROKEN BLADE (1967)