THE EUNUCH (1971) #65

THE EUNUCH (1971)

Released May 12^th, THE EUNUCH (1971) is the creative work of prolific screenwriter Lo Wei who surprisingly did NOT direct this movie himself but instead works with brand new director Teddy Yip Wing-Cho. The action director is Simon Chui Yee-Ang and the man that put it all together is the great producer Runme Shaw. This is a very straightforward story of treachery and revenge somewhat based on historical fact. All right, let’s get busy!

Pai Ying is THE EUNUCH

From the middle of the Zhou Dynasty (6^th century B.C.) to the end of Imperial China in the Qing Dynasty (1912 A.D.) the Emperors of China did not trust men and their carnal desires and so used Eunuchs to work in the palace close to their concubines so there was no chance of sexual impropriety in the court. Unfortunately the Eunuchs found other ways to betray the trust and misuse the emperor’s power that was uniquely theirs. The eunuchs were hated with a passion that is often reserved for those that are "different" and so there are many such stories in Chinese history about their misdeeds. This is just one of them that is also one of revenge. Please enjoy it,... if you can. 

Chung Wah as the Imperial Crown Prince Zhu Jin

Yeung Chi-Hing as Prince Jin's teacher

CAST REPORT

the good: Lisa Chiao Chiao as Yan Yan. Chung Wah as Crown Prince Zhu Jin. Yeung Chi-Hing as Old man, Man Gongsun, Zhu Jin’s teacher. Yung Yuk-Yi as Old woman master, Yan Yan’s teacher.

the bad: Pai Ying as The Eunuch, Gui Dehai. Wang Hsieh as General Ye Zicong. James Tien as General’s guard. Yeung Chak-Lam as General’s guard. Little Unicorn as General’s guard.  

HONORABLE MENTION: Sammo Hung as first challenger in contest. 

Lisa Chiao Chiao as Yan Yan

Yung Yuk-Yi as Yan Yan's teacher

FIGHT TIME: THE EUNUCH (1971) was choreographed by Simon Chui Yee-Ang by himself (he often shares the chores with Sammo Hung) the last time he choreographed by himself was on A Taste Of Cold Steel (1970) and he once again does a great job and even improves on his previous work. I counted six (6) fight scenes including the extra long finale but I never felt bored at any time during the film. I loved his work most notably with the pole and Lisa Chiao Chiao’s solo fight at the temple was fierce!

HONORABLE MENTION: Not only was Simon Chui Yee-Ang’s choreography top quality but Lisa Chiao Chiao’s performance during her solo fight at the temple equally exceptional. I totally believed each killing technique and I also believed her taking on such a large number of men at one time with a combination of skill and rage!! Bravo!

Lisa Chiao Chiao after she realizes she has been played...

RECOMMENDATION: THE EUNUCH (1971) is an emotionally charged journey of Chinese history that is well worth watching. In addition, it is Teddy Yip Wing-Cho’s first directed movie and since he goes on to direct (and write) THE THUNDER KICK (1974), (direct only) SLEEPING FIST (1979) and (direct only) THE THUNDERING MANTIS (1980) it is, at least in my opinion a collectible conversation piece for kung fu flick lovers of all ages. So, overall I’m going to say it is a must-have and certainly a must-see as an interesting part of Shaw Brothers and karate / kung fu movie history. See you next time!

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NEXT UP: THE GOLDEN SEAL (1971)

BROTHERS FIVE (1970)

BROTHERS FIVE (1970)

BROTHERS FIVE (1970) (released March 26th), is produced by Runme Shaw, the elder of the two brothers. It is written by Lo Wei and I Kuang, two very skillful and talented screen writers with a deep understanding of the genre. The action direction is handled by Simon Chui Yee-Ang and Chu Yuan Lung (better known as Sammo Hung Kam-Bo) and they are also very skilled craftsmen to say the least and the whole kit and kabootle was directed by the very prolific Lo Wei. Let's get busy!

Flying Dragon Villa used to be a stronghold of justice for the common people. Under the leadership of Hero Gao Shi Yu, the knights of Flying Dragon Villa were known as defenders of the weak ands as upright people. Then came the villain Chief Long Zhen Feng who murdered Hero Gao Shi Yu and took over Flying Dragon Villa. 

However, one could not expect a man the likes of Hero Gao Shi Yu to go quietly into the night. On his death bed he he asked his close friend Yan Hang Kong to help his sons escape Flying Dragon Villa. Yan Hang Kong escaped with the five boys but they were pursued by Chief Long Zhen Feng and his men, The Four Evils of Ji Bei. Enlisting the aid of some martial art instructors, Yan Hang Kong separated the five brothers but told his young daughter, Yan Hsing Kung, all about Hero Gao and his five sons. After her father's death, she set out to find the locations of the five brothers and reunite them to take revenge with the help of a secret martial arts manual. Will she succeed? 

CAST REPORT

the good: Cheng Pei Pei as Miss Yan Loi Hsing Kung. Lo Lieh as Gao Xia, fifth brother. Chang Yi as Scholar Gao Zhi, second brother. Yueh Hua as Valet Gao Wei, fourth brother. Chin Han as Blacksmith Gao Hao, first brother. Kao Yuen as Security Chief Gao Yong, third brother. Sammo Hung as Security Escort Chu 

the bad: Tien Feng as Master Long Zhen Feng. Little Unicorn as Flying Fork Master Wang. Wang Hsieh as Wang Liao Er. Ku Feng as Lord Wan Bo Fu. James Tien as Master Ding Zhi Shan. Lee Ka-Ting as Master Yau. 

HONORABLE MENTION: Luk Chuen and Someno Yukio do stunt / extra work

FIGHT TIME: BROTHERS FIVE (1970) was action directed by Hsu Erh Niu and Chu Yuan Lung (Sammo Hung). I counted twelve (12), that's right twelve fight scenes which is the most fights scenes in any movie I have counted yet so far. The work is absolutely one of high quality with the under cranking expertly done except in some of the exchanges in the finale fight scenes. Nothing new but still exciting none the less.

HONORABLE MENTION: Kao Yuen's (he played third brother, Security Chief Gao Yong) solo fight scene against the guards outside of Flying Dragon Villa was superb and worth watching multiple times!

BROTHERS FIVE (1970) has a veteran director, two of the most skillful script writers in the industry and one of the two action directors on the project will go on to become arguably one of the best action directors from Hong Kong. The actors of BROTHERS FIVE (1970) are some of the best Shaw Brothers has to offer. And BROTHERS FIVE (1970) is a good movie, in fact it is a very good movie. BUT, but... It just seems to me to be a little off Shaw Brothers' usual overall high quality and I need to be honest about it. So what's wrong? Well, it just seems to me that the movie belongs more to the Shaw Brothers of the sixties than the Shaw Brothers of the seventies. Bottom line though, it is still worth watching and I can recommend it for casual viewers of wuxia movies but for collectors --not so much. See you next time!

If you liked this review please comment on the blog, become a follower of the blog, join me on my Facebook account by sending me a message first and then a friend request so I know who I am friending (  https://www.facebook.com/Michael529P   ) and like my Facebook page: SHAW Brothers Kung Fu Movies 1965-1986. I thank you and would appreciate it very much!

NEXT UP: THE GOLDEN KNIGHT (1970)

THE TWELVE GOLD MEDALLIONS (1970)

THE TWELVE GOLD MEDALLIONS (1970)

Our first film of seventies is THE TWELVE GOLD MEDALLIONS (1970), released January 7th, and produced by Sir Run Run Shaw. It is a historical-drama, pursuit / wuxia film based on a story by I Kuang and Chen Tien-I. This all-star cast film is also Chin Ping's farewell film being the last film she was featured in. Scripted and directed by Cheng Kang, the action directing credits are Simon Chui Yee-Ang ( as Hsu Erh Niu) and Sammo Hung Kam-Bo (as Chu Yuan Ling). Let's get busy!

At the root of this film's plot is the history of General Yue Fei : In short, during the Song Dynasty in 1126 A.D., North China was over run by the nomadic Juchen (Jin) and the Song Capital at Kaifeng was taken. General Yue Fei assumed command of the Song forces and after first retreating south he took the offensive and although being greatly outnumbered he forced the Jin to retreat thereby recovering some of the Song's lost territory.  

Unfortunately, one Minister Qin Hui formed a peace coalition and influenced the Song Emperor to negotiate peace with the Jin and call General Yue Fei back from his military campaign, halting his progress. Not knowing the precise location of General Yue Fei, Minister Qin Hui sent out the twelve gold medallions with the emperor's seal on it ordering the general to return. Defying the imperial edit was a capital offense. Knowing the loyalty of General Yue Fei some martial patriots attempted to keep the general from receiving the order in the first place. This was also a capital offense but as true patriots they risked their lives to do it.   

Master Miao Lung was one such patriot. A former apprentice of Grand Master Jin Yan Tang, Chief of the Hua Shan Clan. Master Miao had learned the Wavering Sword technique from Grand Master Jin. Master Miao gained the attention of Minister Qin Hui by defeating Grand Master Ma Shan Ting's top disciple: Lei Ting,  known as the Golden Whip and preventing Lei Ting from delivering his medallion to General Yue Fei. Grand Master Ma Shan Ting (who himself was known as the Golden Fan), summoned Grand Master Jin to his headquarters at Juxian Hall to answer for Master Miao Lung's actions. 

Grand Master Jin Yan Tang arrives at Juxian Hall and ridicules Grand Master Ma Shan Ting for not being worthy of the Emperor's gold plaque and the gold medallion assignment. Grand Master Ma challenges Grand Master Jin and is defeated and killed. However Minister Qin Hui was watching the entire proceedings and is impressed by Grand Master Jin's skill and confidence. Minister Qin immediately promotes Grand Master Jin to the new Chief of Juxian Hall and puts him in charge of delivering the gold medallions to General Yue Fei. 

But Master Miao Lung has also been watching, albeit as a spy on the rooftop. He is discovered by Grand Master Jin but not captured. Master Miao waits for his former teacher by the road that leads to Grand Master Jin's home to confront him. In addition, Grand Master Jin has two daughters whom he must inform of his newly assigned tasks but has little concern how they will react to it. And so begins this heart-wrenching tale of trust, loyalty and  filial piety.

CAST REPORT

THE TWELVE GOLD MEDALLIONS (1970) certainly has an all-star cast: 

the good: Yueh Hua as Master Miao Lung, the hero of the story, Chin Ping as Jin Suo, youngest daughter of Grand Master Jin Yan Tang in her last major performance and as can be expected she is at her very best!   We also have Lisa Chiao Chiao as Jin Huan, elder daughter of Grand Master Jin Yan Tang, and Ku Wen-Chung as Grand Master Green Bamboo Cane Meng Dabei,

the bad: Cheng Miu as Grand Master Jin Yan Tang is the movie's big bad guy, Huang Chung-Hsin as Master Golden Whip Lei Ting, Wang Hsieh as Grand Master Golden Fan Ma Shan Ting, and 

Ku Feng as Ah gui 

HONORABLE MENTION: Fan Mei-Sheng, Lee Kwan, Wang Chung, and James Tien all have small roles as villains.

FIGHT TIME: THE TWELVE GOLD MEDALLIONS (1970) has two fight choreographers and 13 fights (including 3 fights in the grand finale). Simon Chui Yee-Ang and the great Sammo Hung Kam-Bo are the fight choreographers of record ...but still... -- the way I am going to put it is this: either the film editor and or the director obscures the technical aspects of the battles until they are non existent. In this way; it is a disappointment. Put another way: there is plenty of action, plenty of swordplay but no martial arts in this movie. So the question becomes: is it fair of me to expect more in terms of martial arts display in a movie made in 1970? Unfortunately, the answer is yes.  

THE TWELVE GOLD MEDALLIONS (1970) is a very important film especially for those that would be students of this genre or of Hong Kong movies in general. History and pop culture have always played heavily in the plots of many of these movies and sometimes without the basic knowledge of the source material it can burden one's enjoyment of the project. I hope I can add some information and encourage others to view and ultimately enjoy these movies as much as I do. So, if you are serious about watching Shaw Brothers or Hong Kong films or if you are a Chin Ping fan then this is a must have; if not you can pass on it. See you next time!

If you liked this review please comment on the blog, become a follower of the blog, join me on my Facebook account by sending me a message first and then a friend request so I know who I am friending (  https://www.facebook.com/Michael529P   ) and like my Facebook page: SHAW Brothers Kung Fu Movies 1965-1986. I thank you and would appreciate it very much!

UP NEXT: THE WANDERING SWORDSMAN (1970)

RAW COURAGE (1969)

RAW COURAGE (1969)

Sir Run Run Shaw produces another pursuit / wuxia film from the fertile mind of Director / Scripter extradinaire Lo Wei this time taking place during the Ming Dynasty. The action directors are Bruce Lee's childhood friend Little Unicorn (credited as Hsiao Chi Lin) and Simon Chui Yee-Ang (credited as Hsu Erh Niu). Let's get busy!

During the Ming Dynasty [1368 - 1644 (276 years)] it was very common for Han crown princes and eunuchs to fight among themselves for power after the collapse of the Mongolian rule. Good guys, bad guys? It was all relative based on who you believed was the rightful heir to the throne. Our next story is steeped in this historical fact. 

Emperor Jianwen's palace is set upon by forces loyal to Emperor Yongle. With defeat eminent Emperor Jianwen trusts his infant son to the Chief of the Black Eagle Society,  Shangguan Hou asking him to unite with the righteous heroes of the Jiang Hu to restore his (Emperor Jianwen) reign with the infant crown prince. 

A short time later, The Black Eagle Society is paid a visit by swordsmen of the Jiang Hu loyal to Emperor Yongle including the godson of Eunuch Qiren: Yen Tsang, Chief of the East Sea Clan and Yu Hua Chiao of the "Scarf" Clan asking for the Black Eagle Society to switch loyalties to Emperor Yongle and to turn over the infant crown prince to them. In the violence that subsequently ensues,  Chief Shangguan is mortally wounded. Chief Shangguan, his daughter Hsiu Yi, and his top disciple Chin Chen Hsiung retreat to his fortress's inner sanctum and he gives his daughter the infant crown prince and a mission to rendezvous with his brother the Chief of the White Dragon Society on February 15th in his place to fulfill the wish of the dead Emperor Jianwen.  

Hsiu Yi and Chen Hsiung leave the fortress but are discovered by a few patrolling soldiers. They are helped by a elder calling himself "Old Beggar" and he assists them in going on the run from Yen Tsang and his men while journeying to rendezvous with the White Eagle Society. "Old Beggar" tasks his student Chou Fei Yun with helping them pass the many military check points all the while staying out of the grasp of Yen Tsang. Will they reach their destination in time? 

CAST REPORT

The "good": Liu Kei as Emperor Jianwen, Lo Wei as Black Eagle Society Chief Shangguan Hou, Cheng Pei Pei (looking very young) as Shangguan Hsiu Yi, daughter of Black Eagle Society Chief,  Wu Fung as the disciple of Black Eagle Society Chief, Yeung Chi-Hing as Mo Wen Tien aka "Old Beggar", Yueh Hua as Chou Fei Yun, "Old Beggar's disciple 

The "bad": Tien Feng as East Sea Clan Chief Yen Tsang, Poon Oi-Lin as Yu Hua Chiao of the "Scarf" Clan, Lee Sau-Kei as Old Monster

HONORABLE MENTION: Lee Kwan as Little Beggar, James Tien  as a border guard and Someno Yukio as one of the East Sea Clan swordsmen

FIGHT TIME: RAW COURAGE (1969) has two action choreographers: Hsiao Chi Lin aka Little Unicorn (childhood friend of Bruce Lee) and Simon Chui Yee-Ang. This is very much their early work so their is no need to judge it too harshly especially considering it is state of the art for 1969. The fight scenes are clear and with an exception or two easy to follow and makes use of under-cranking which is not over-done. There is plenty of shouting to emphasize effort in technique and I was pleased by that as well. If there was a fault it was with the sheer number of opponents faced by the heroes which got a little hard not to smile about. I counted eight (8) fight scenes which over one hour and forty-eight minutes is still plenty. Nice job.

HONORABLE MENTION: Cheng Pei Pei does an earnest job fighting here like it was for real and so while I have never seen her look so young before I have never seen her fight harder. Fantastic! 

RAW COURAGE (1969) is one of the early Shaw Brothers movies that deserve a look-see just to get a taste of what the sixties were like for the wuxia genre. A historical look a the great Cheng Pei Pei is also another reason to seek out this movie that I am certainly going to recommend but for people with a taste for the nostalgia and collectors only. See you next time!

If you liked this review please comment on the blog, become a follower of the blog, join me on my Facebook account by sending me a message first and then a friend request so I know who I am friending (  https://www.facebook.com/Michael529P   ) and like my Facebook page: SHAW Brothers Kung Fu Movies 1965-1986. I thank you and would appreciate it very much!

NEXT UP: THE SWORDMATES (1969)