REVIEW #002: THE TWIN SWORDS (1965)
Released December 22nd, 1965, THE TWIN SWORDS (1965) was the sequel and continuation of the story started in TEMPLE OF THE RED LOTUS (1965) an adaptation of the novel, Jiang Hu Qi Xia Chuan (Shang Xia) written by Ping Jiang Bu Xiao Sheng. San Kong repeated his duties as the scriptwriter and Hsu Tseng-Hung returns as director but the elder Shaw brother, Runme Shaw is the producer this time out. Also once again there is no action director or choreographer credited. So, let’s get busy!
We last left our newly wed couple after they were aided in their escape by The Scarlet Maiden from The White Dove Convent (where the evil Red Lotus Clan had their kidnapping and forced prostitution base of operations). The Scarlet Maiden instructed them to “mind their own business” and return to the Gan Family Fortress, practice their kung fu and for Gui Xiao Wu to focus on avenging his parents. Lian Zhu and Xiao Wu headed back to the fortress and had only traveled a short way when they witnessed an apparent kidnapping of four women. It looked very much like the work of The Red Lotus Clan.
Lian Zhu
immediately lunges forward to save the women but Xiao Wu pulls her back. Not
only does he want to heed the words of the Scarlet Maiden but he still feels
remorse because all that has befallen them has been because of his poor
judgment, if only he had minded his own business then they would have never
left the Gan Fortress. [See TEMPLE OF THE RED LOTUS(1965) for details] But what husband can resists his wife’s pleadings? Lian
Zhu convinces him that rescuing people is not minding someone else’s business
and she knows they must be heading to the Red Lotus Temple. So “just this once”
they go off to rescue the women.
But, wouldn’t you know it? It’s a trap and Lian Zhu is captured! Xiao Wu has no choice but to return to the Gan Fortress and face the family that now views him as a traitor and beg them to help him rescue the daughter he caused to be endangered. And as if that weren’t enough, The Red Lotus Temple monks will be prepared for their attack, the danger and risk is obvious yet, how can they not go? Prepared to be rocked by a 1965 state of the art blockbuster!
CAST REPORT
the good: Jimmy
Wang Yu as Gui Xiao Wu. Chin Ping as Gan Lian Zhu. Lo Lieh as Du Chuang. Ivy
Ling Po as Gui Qiu, The Scarlett Maiden. Petrina Fung Bo Bo as Gan Xiao Ling.
Li Ming as Grand Madame Gan. Tien Feng as Master Dragon Gan.
the bad: Wong
Ching-Ho as Red Lotus Chief Fa Ben. Fung Ngai as Red Lotus Chief Hua Fu. Lee
Wan-Chung as Red Lotus Chief elder. Special Guest Star: Cheng Miu as Red Lotus
Chief Grand Master Chung Yen.
HONORABLE
MENTION: Ku Feng, Kao Pao-Shu, Wu Ma, and Lin Jing veteran performers of the
Hong Kong movie industry with over one hundred films each!
SPOTTED: Bruce
Lee’s childhood friend “Little Unicorn” as a Red Lotus monk.
FIGHT TIME: Just as in Temple of The Red Lotus, THE TWIN SWORDS has no fight choreographer credited. I counted eight fight scenes once you allow for the first four and a half minutes of THE TWIN SWORDS, which is actually the last four and a half minutes of Temple of The Red Lotus. This is nearly twice the amount of action as the previous movie! The quality of the fight scenes are upheld in the sequel with the techniques displayed being realistic and to the point with no flailing about of the arms and weapons to simulate action. (The sole departing from realistic martial arts comes when the two grand masters go at it head to head in the finale. My instinct tells me to not make too much of this because the creators are in totally uncharted territory here and still managed to express their ideas. So I decided to give it a pass. )
Chin Ping as Gan Lian Zhu "Warrior Princess" |
Bent sword at 16:54 but quickly edited out, great performance! |
RECOMMENDATION:
THE TWIN SWORDS (1965) is only the second movie in our journey of the early
Shaw Brothers wuxia classics and the standard is already very high. This
two-part adaptation of Jiang Hu Qi Xia Chuan (Shang Xia) [TEMPLE OF THE RED LOTUS
being the first part] is fantastic and I can easily recommend this classic for
collectors and casual viewers of martial art movies alike. The story and the
action both hold up even fifty years later, see you next time!
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NEXT UP: COME DRINK WITH ME (1966)
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