HAVE SWORD, WILL TRAVEL (1969)
HAVE SWORD, WILL
TRAVEL (1969) is an eastern-western / wuxia extravaganza with an all-star cast
of the next generation of knight errant stars in the Shaw Brothers stable of
extraordinary talent. Produced by the elder brother Runme Shaw, script written
by the prolific novelist I Kuang, the action directed by Tang Chia and Yuen
Cheung-Yan and directed by the master himself Chang Cheh. Let's get busy!
Swordmaster In
Ko-Fong and his security company escorts the government's newly minted silver
from Yaman to the capitol every year about 200.000 taels. This year will be
particularly dangerous as the government has heard rumors that the Flying Tigers
Stockade have plans to rob the next shipment and has stressed Master In
accordingly. What the government does not know is Master In has been quite ill
and unable to use his kung fu for months. What Master In does know is no matter how ill he is, he has no choice but to escort the silver or be charged
with treason.
Knowing he is in
dire straits, Master In has sent for Master Yun Chi-Nian, a swordswoman known
throughout the Jiang Hu as a master of the sword and flying darts. The problem
is his message to her arrived too late as she had already left for the Miao
Territories and would be gone for months, much too late for the time the
government allotted Master In to begin the transport.
Enter Yin Siang
Master Yun's prize disciple and her niece Yun Piau Piau. They received Master
In's message but only learn of his dilemma upon arriving at Invincible Village.
Once there, Yin Siang decides that they must help Master In and should be able
to escort the silver safely.
Top billed stars Li Ching and Ti Lung |
Lo Yi is a
wandering knight errant. A stranger we only know two things about. One thing
is, he is down on his luck and out of work. The other thing is he is very
skilled in the martial arts. He is hoping to be picked up by one of the many
security escort companies in Loyang however, he carries no letter of
recommendation from a former employer nor does he claim to be a disciple of a
famous master. Yeah, he is going to have a problem.
From this
scenario, master storyteller I Kuang lays out a memorable wuxia tale of heroic
bloodshed.
CAST REPORT
The good: Cheng Miu as Swordmaster In Ko-Fong (he
absolutely nails the feeble, weakness of his dilemma when facing the Flying Tigers), Ti Lung as Yin Siang
(comes off justifiably snobbish and entitled and he and David Chiang have great
chemistry as rivals), Li Ching as Yun Piau Piau (she plays it reserved and kind
and not at all haughty), David Chiang as Lo Yi (a young swordsman that seems
angry at himself for being down on his luck).
The bad: Ku Feng as Jiau Hong, Chief of the Flying Tigers
(superbly powerful and menacing), Chen Sing as Pestilence, and introducing: Wang Chung as "Mute Buddy"
HONORABLE MENTION: plenty of eye candy here with many
extras that will become famous in movies to come such as: Cliff Lok, Wong Kwong Yue, and Cheng Hong Yip.
FIGHT TIME: HAVE
SWORD, WILL TRAVEL (1969) boasts Tang Chia and Yuen Cheung-Yan as action
directors. When Chang Cheh directs it is usually the team of Tang Chia and Liu Chia-Liang
but this time Yuen Cheung-Yan (brother of Yuen Woo-Ping) steps in and, I cannot
front, does a bang up job on this movie. I wish I had some inside info on why
this happened, but I don't so this is all I can write on this detail. I counted
four (4) fights scenes but it is an over twenty minute action filled finale so
I was fine with it.
HONORABLE
MENTION: while no one individually stands out in this movie it can be considered the
one where the action choreography steps out above everything that has gone on
before it ushering in a higher quality of fights in the Shaw Brothers wuxia genre. At least
it is so in my humble opinion.
Like THE FASTEST SWORD (1968) one year earlier, HAVE SWORD, WILL TRAVEL (1969) shows the Shaw Brothers' love and willingness to adapt the United States western cinematic themes to their own unique wuxia themed movies to great benefit and I am very excited to see a whole new generation of American people discovering what we loved about these movies growing up thanks to Celestial Pictures through Netflix and Itunes and the like. I wholeheartedly recommend this movie to collectors and movie-goers of all ages! See you next time!
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NEXT UP: TWELVE GOLD MEDALLIONS (1970)
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